Author: Gabrielle Zevin
Genre: YA, Literary, Fantasy
Elizabeth Hall is dead. She died when her bicycle was hit by a cab, a senseless accident, and when she awakes, she finds herself on a boat taking her to Elsewhere--the afterlife. Elsewhere is a society similar to our own, except that here everyone ages backwards and once they become a baby, they will be sent back to earth. Most people in Elsewhere have had lived their lives, but Liz died when she was fifteen. As she copes with the sudden loss, she must grapple with creating a new “life” in Elsewhere. But is there a point to “living” when you’re already dead?
I first found out about Elsewhere when the title appeared on Goodreads list of YA books with dead protagonists. I’m writing a YA book with a dead protagonist called Company and part of the marketing process is to research similar books. However, I honestly did want to read Elsewhere, because the idea of a society of people aging backwards intrigued me, and while most books about dead protagonists featured ghosts (my own included), this one attempted to build an afterlife.
Elsewhere is a good book to read when you’re sad. The book has a languid and distant melancholy to it. This is to be expected; the book deals with death. There is grief and loss and mourning. And that, I feel, is the strongest part of the book. Liz’s grieving process is vivid and real. When she arrives at Elsewhere, she is not eager to explore this new land; rather, she sinks into a depression and gets stuck mourning the life she lost.
However, I feel like Liz never fully comes out of that depression. Even as she acclimatizes to her new “life” in Elsewhere, there is a lingering sadness that permeates the novel. In some ways, this has to do with the style of writing. The prose is simple, matter-of-fact, and not terribly descriptive. Anything that might elicit emotion is glossed over. As a result, the sadness is never too sad, but the happiness is not all that happy, either. In fact, everything is such an even keel of lukewarm, I started to feel like I was reading about a person coping with a low-key but persistent case of clinical depression.
Title: Dark (The Dark Trilogy Book 1)
Author: Paul L Arvidson
Genre: Fantasy, Science Fiction
Dun has troubles on his mind. Since his father disappeared, he has become the main provider for his family. Worse still, he's dealing with vivid and terrifying dreams--a sign he bears the gift of foretelling. When the village elders appoint him as head of a quest to find out why their mysterious neighbors, the Machine-folk, have gone missing, Dun assembles a band of allies to accompany him: his cheerful best friend Padg; Tali, an apprentice-alchemist; and Myrch, a man with many useful abilities and secrets. As they confront the different tribes, they begin to suspect that something odd is going on--a darker presence that threatens to throw their whole world into chaos.
I decided to take my own advice and find some free fantasy books on Kindle to read during quarantine. Dark was one of several I downloaded. What caught my interest and kept me reading was that the world felt both unique and believable. Fantasy books often rely on big, flashy elements to get attention: dragons, unicorns, gods, monsters, magic. But I appreciate a story that takes its time to build its own cultures.
Dark started off with a tribe of simple folks who live by fishing, trading, using reeds make baskets. And yet, there are hints of a more complex world. “Found” items have a curiously manufactured feel to them, underground tunnels are actually a complex system of pipes, and a decayed civilization is shown to have wielded great power once. Something happened in the past, but what could it be? That mystery kept me reading.
Dark initially gave me vibes of: Watership Down, which is high praise for me. (Watership Down is one of the foundational books that has inspired my writing.) You have a group of ordinary people with different abilities, led by someone with flashes of prophecy. (I love prophecy.) Occasionally, they come across technology that the audience may be familiar with but is baffling to them. Their journey is simple, but challenging, and members of the group need to use their different abilities. Friendships are forged and deepened.
However, the similarities diverge when it comes to the ending. Watership Down has one of the best endings I have ever read. Dark’s ending, while certainly not the worst, was rather disappointing. The problems began at Chapter 48, because at Chapter 48, Dark underwent a rapid genre shift and became an entirely different book.
VAGUE SPOILERS AHEAD
Last weekend, I was feeling anxious and no wonder. Between everything from schools to Disneyland being shut down, the stock market crashing, and grocery stores with whole sections gutted, it felt like the end of the world. I didn't know what to do, so I started re-watching my favorite Star Wars movie. I remembered how much I loved epic fantasy. Earlier, I'd dealt with the stress of moving by getting lost in a fantasy romance book. I was reminded just why I fell in love with fantasy. For me at least, there is something about fantasy that gives me hope when times are tough.
I don't think I'm alone in feeling anxious, and I wanted to do something to help. Since fantasy stories help me cope with stress and since it seems like many people have a lot of free time on their hands, I thought I'd offer the three fantasy books I wrote for free on Amazon. You can download them without leaving the house, kill a day or two reading, and hopefully emerge refreshed. I know in the grand scheme of things it may not be much, but I want to help people feel better during these troubled times.
Click on Picture Below to Get Free Book on Amazon Kindle
Free from Thursday, March 19 to Monday, March 23
My books will be free for five days, from Thursday, March 19 to Monday, March 23, 2020, which is the maximum amount of time that Amazon will allow me. So if you think you might at all be interested in these books, get them quickly. At $0, what do you have to lose. Get one or all three. And if you think anyone else might be interested, please share this link with them.
If reading's not your thing, what does help to ease your anxiety in times of stress? Are there any fantasy books, free or not, you recommend reading? Let me know in the comments. And please, take care of yourself, both physically and mentally. Stay safe.
Title: The Guardian: A Dream-Hunter Novel
Author: Sherrilyn Kenyon
Genre: Romance, Fantasy
After thousands of years of being tortured in hell, demigod Seth has one chance to escape his misery. His master, the primal god Noir, has captured Solin, god of dreams, who has information about a key that can grant great power or cause great destruction. Seth is put in charge of interrogating the Solin. Little does he know that Solin’s daughter, Lydia, has come to free him. Lydia is an immortal were-jackal with the power to walk into another person’s dreams. But she is no match for Seth, who quickly captures Lydia and offers Solin a trade--the missing key for Lydia’s life. Solin agrees, and Seth keeps Lydia as collateral. But when Seth gets to know Lydia, he finds himself drawn to her. And though Lydia would like nothing more than to hate the man who tortured her father, the more she learns the horrors of Seth’s past, the harder it is to keep her own creeping feelings at bay.
A friend recommended Sherrilyn Kenyon to me a while ago, but I hadn't really gotten around to checking her out. So when I spotted one of her books at the La Habra Library bookstore for the low, low cost of ten cents, I quickly jumped on the chance. I was not disappointed. I finished the book the same day I bought it. The Guardian was that addicting.
The Guardian is a romance book first, a fantasy book second. It has a kind of Beauty and the Beast vibe going, which I really like. If it were a film, it would be a hard R for cursing, sex, and, most prevalent, scenes of violent torture. (More on that later.)
Title: The Buried Giant
Author: Kazuo Ishiguro
Genre: Literary Fiction, Fantasy
King Arthur is dead. Ogres roam the land, but the people are accustomed to them. More disturbing is a fog that clouds memories. Axl, an old man who lives a modest life with his wife Beatrice, occasionally has glimmers of people long forgotten: a woman with red hair, a missing child, and his estranged son. When Axl and Beatrice embark on a journey to visit their son, they run into a slew of strange traveling companions: a warrior on a solemn quest, a boy marked by evil, and the last remaining knight of King Arthur’s court. As memories are revealed and the secrets of the past are peeled back, Axl and Beatrice learn of a way to restore what was once forgotten--but at a startling cost.
I bought The Buried Giant because its author, Kazuo Ishiguro, also wrote one of my all-time favorite books, The Remains of the Day. As such, I wanted to wait for the perfect time to read The Buried Giant and slowly savor it. Initially, I was captivated by the simple beauty of the prose and filled with a sense of romance. But lurking under the quests and magic was a startlingly realistic look at the nature of war, hatred, and vengeance. These dark undertones slowly crept up on me and left me shaken and disturbed by the end of the book.
This doesn’t mean that The Buried Giant contains explicit material. It doesn’t. There are no graphic or gory depictions of violence, no sex, and no profanity--nothing that is typically labeled as “shocking.” I think what disturbed me, on a personal level, was the contrast between the high ideals of the characters and the horrific atrocities they were still capable of inflicting. It seemed very… realistic… for a fantasy world.
I had been wanting to see 1917 since the fall of 2019, when a critic compared it to The Lord of the Rings. That was all the sell I needed. I had to wait until after Christmas for it to expand into theatres. But the holidays brought chaos to my personal life, with moving on the one hand and sinus infections on the other. The Oscars came and went, and my life still didn’t calm down. Finally I said, “To hell with it,” and bought a matinee ticket for a Tuesday showing in the middle of February.
1917 is World War I drama done in (seemingly) a single shot. Lance Corporal Blake (Dean-Charles Chapman) and his friend Lance Corporal Schofield (George MacKay) are sent across no man’s land to deliver a message. Colonel MacKenzie is leading two battalions into a trap, and Blake’s brother is among those at risk. Although the territory they must cross seems, on paper, to be deserted by the German army, it is fraught with many perils, as they encounter boobytraps, snipers, and challenging terrain.
1917 struck me as a mash-up between an action-adventure video game and a “best of” compilations of the horrors of World War I, with moments of poignant human drama thrown in. This sounds like an insult, but I don’t mean it to be. I liked the movie. However, I was ambivalent about the use of the single shot gimmick.
On the one hand, I marveled at how they managed to make this movie. They couldn’t have just built several miles of trenches, a village, a river, and a patch of woods in a studio somewhere. Could they? Even if they did, can you imagine coordinating all the actors, all the extras, all the stunt doubles, all the props, and all the cameras? If everyone didn’t hit their mark exactly right, the whole thing would fall apart. I left 1917 wanting to watch a documentary about the making of the movie, just to see how it was done.
On the other hand, constantly thinking about how the movie was made distracted me from the story being told. In most movies, I don’t think about where the camera is positioned or what it's doing, but here it was all I could think about. It almost felt like the camera was its own character, like a first-person video game avatar or maybe a documentary crew recording this incident. But the cinematography was so beautiful, so smooth, so perfectly able to capture excitement and emotion, it made it very clear that everything was staged. No matter how realistic the details, the world of 1917 is inherently artificial.
I know nothing about cars or racing. However, I noted the positive reviews and Oscar nominations for Ford v Ferrari, so when the movie popped up in the dollar theatre, I was willing to give it a shot. I went to see it with my dad, who also has no interest in racing, but trusts my taste in movies. It turned out to be a pleasant Sunday matinee.
After Henry Ford II (Tracy Letts) gets his ego gets bruised by Enzo Ferrari (Remo Girone), the American industrialist decides to build a car to win the famous Le Mans race. He enlists Carroll Shelby (Matt Damon), who agrees to build a winning car if he can have Ken Miles (Christian Bale) as his driver. However, when Ken Miles rubs the advertising department the wrong way, the vice president tries to have him removed. Battling both technical problems and bureaucratic impediment, the two men work together to try to win the Le Mans ’66.
If Ford v Ferrari did nothing else, it taught me an appreciation of racing. I had thought that the race car builder and the race car driver were separate jobs, but the two overlapped quite a bit. For example, Carroll Shelby, the builder of the car, did actually drive the Le Mans race--it’s what drew Ford Company to him. Ken Miles worked a day job as a mechanic and offered valuable feedback and suggestions for the design of the car.
The movie also gave me a new perspective of why races might be popular, necessary even. The Le Mans race was, in this case, a test of the engineering of the car and the skill of the driver. Such a test means pushing the boundaries. Every setback, every problem, every solution that brought up a brand new problem, all led to that glorious moment where all that hard work came together to show off something new.
(Warning: While there are no explicit spoilers, I am going to discuss some of the themes that occur throughout the movie. Some spoilers may be implied, if you read between the lines.)
Hello. I’m Rebecca Lang, and I’m a small, independent writer and publisher. I write fantasy stories, because I love writing and because I hope that my stories have something meaningful to say. Being a small independent author gives me the artistic freedom to deliver the best product I can, but the downside is that I don’t have the resources or marketing skills of a big publishing company. So I’m looking for readers who are interested in helping me out by becoming a Beta Reader for my latest novel, Company.
Writer. Critic. Dreamer.