I’m so pleased and proud to announce that my third novel, Company, will be published on September 5, 2020, available as an e-book on Amazon. Priced at $4.99, it’s less than a specialty coffee at Starbucks and will stay with you longer. A physical print version of the book will be coming out in October this year. If you don't mind, I’d like to tell you a little about what Company is and why I’m so proud of it.
Company tells the tale of an unlikely friendship between an amnesiac ghost and an abandoned imaginary friend. As a ghost, Curtis is trapped in Thornfield Manor, a beautiful, but isolated house in the California mountains. Bored and alone, his memories are slowly falling away, including the memory of his death. One day, a stranger arrives at Thornfield Manor. After her parents died, Charlotte created an imaginary friend and “sister” named Jenny to deal with her depression. But after Jenny develops a mind of her own, Charlotte is desperate to get rid of her. Charlotte dumps Jenny at Thornfield Manor. As the only two beings who can see and interact with each other, Curtis and Jenny strike up a quick friendship. Jenny is determined to solve the mystery of Curtis’s death and help him cross over. But Curtis worries: if he does cross over, what will become of Jenny?
I’m proud of Company, because I put my heart and soul into writing this beautiful and thought-provoking story. It has a little bit of mystery, a little bit of romance, and a little bit of philosophy. It’s an emotional book, and some scenes will leave you feeling choked up, but it has a sweet ending that I hope will make you smile. Company is the kind of book I’d imagine someone reading on a vacation in the mountains, sitting outside a log cabin in the cool of the morning, with a hot mug of coffee or tea or hot cocoa.
Believe it or not, I came up with the idea for a ghost and an imaginary friend back in 2012. At that time, I wasn’t sure if the idea was strong enough to be sustained for a whole novel. So, in 2013, I decided to write it for National Novel Writing Month, an event that challenges you to write 200 pages in 30 days. To my surprise, I completed an entire rough draft of Company in a month. But I got stalled on revision for many years. Then in 2018, a tumultuous and uncertain year for me, I looked at Company again and found new inspiration. For the next two years, I began revising it whole-heartedly, using all my skill as a writer to hone and polish my vision. I hope that when you read it, you’ll get swept up in the characters, the friendship they form, and the journey they make together.
Unlike most novels I’ve written in, Company takes place in the real world (California) and in modern times (2019), so it is more accessible to people who are less inclined toward traditional fantasy. It is best for teens and adults; younger children probably won’t be interested in it. Company has a few curse words and deals with death, and for those reasons, I’d put it at a PG-13 rating.
If you decide that you want to buy Company, it is available for pre-order right now--just click on the button below to reserve your copy. If you need more information, I have the first chapter available on my blog. Over the next few weeks, I hope to add a more sample chapters and bonus features that share my experience writing this novel. If, however, you decide this is not the book for you, that’s okay, too. I appreciate you listening to me with an open mind.
I know from experience that certain books can hit you in a way that stays with you for the way of your life. It’s my hope that, for some readers out there, Company may be that book. However, finding those readers is still a struggle for me. As an independent author, I don’t have a big marketing team, so I need all the help I can get in order to spread the word. If you think of anyone who might like this story, please send them this link. Or, if you have a social media account (Facebook, Twitter, Instagram), please post there. Thank you again. I appreciate your love and support.
Sincerely, Rebecca Lang
A Certain Slant of Light is A Heart-Wrenchingly Beautiful Tale About Love, Language, and the Human Spirit
Title: A Certain Slant of Light
Author: Laura Whitcomb
Genre: Romance, Fantasy, Literary Fiction, YA?
A long time ago, Helen died, but her soul did not make it into Heaven. For over a century, she has existed as a ghost and a writerly muse, attaching herself from one literary figure to the next, watching their lives but never being more than a whisper in their ear. Helen’s latest haunt is an English teacher and aspiring writer named Mr. Brown. One day, as Helen stands beside him in his English class, a boy notices her.
The boy is not what he appeared. James died as a young man and also became a ghost, but very recently, he discovered he could enter an “empty” body. Possessing a high school boy named Billy gives him access to the world again and allows him to see Helen. As the two ghosts begin a whirlwind romance, Helen wonders if she, too, can enter a body and be with James. After so much time spent watching in the distance, is it possible that Helen can once again partake in life?
It has been a long time since I read a book I unabashedly loved. But that is how I felt about A Certain Slant of Light. It is sweet and romantic, full of yearnings and emotions, with beautiful prose and a genuine affection for words and literature. I loved Helen and James. I loved their old-fashioned courtship and their passionate yet somehow innocent romance. This rendered the second half of the book hard to read, as the tension started to ramp up and I became genuinely afraid of what might happen to them. But, though it took a lot of pain and struggle to get there, the ending was happy and left me as a pile of mush, basking in emotion.
Author: Gabrielle Zevin
Genre: YA, Literary, Fantasy
Elizabeth Hall is dead. She died when her bicycle was hit by a cab, a senseless accident, and when she awakes, she finds herself on a boat taking her to Elsewhere--the afterlife. Elsewhere is a society similar to our own, except that here everyone ages backwards and once they become a baby, they will be sent back to earth. Most people in Elsewhere have had lived their lives, but Liz died when she was fifteen. As she copes with the sudden loss, she must grapple with creating a new “life” in Elsewhere. But is there a point to “living” when you’re already dead?
I first found out about Elsewhere when the title appeared on Goodreads list of YA books with dead protagonists. I’m writing a YA book with a dead protagonist called Company and part of the marketing process is to research similar books. However, I honestly did want to read Elsewhere, because the idea of a society of people aging backwards intrigued me, and while most books about dead protagonists featured ghosts (my own included), this one attempted to build an afterlife.
Elsewhere is a good book to read when you’re sad. The book has a languid and distant melancholy to it. This is to be expected; the book deals with death. There is grief and loss and mourning. And that, I feel, is the strongest part of the book. Liz’s grieving process is vivid and real. When she arrives at Elsewhere, she is not eager to explore this new land; rather, she sinks into a depression and gets stuck mourning the life she lost.
However, I feel like Liz never fully comes out of that depression. Even as she acclimatizes to her new “life” in Elsewhere, there is a lingering sadness that permeates the novel. In some ways, this has to do with the style of writing. The prose is simple, matter-of-fact, and not terribly descriptive. Anything that might elicit emotion is glossed over. As a result, the sadness is never too sad, but the happiness is not all that happy, either. In fact, everything is such an even keel of lukewarm, I started to feel like I was reading about a person coping with a low-key but persistent case of clinical depression.
Title: The Buried Giant
Author: Kazuo Ishiguro
Genre: Literary Fiction, Fantasy
King Arthur is dead. Ogres roam the land, but the people are accustomed to them. More disturbing is a fog that clouds memories. Axl, an old man who lives a modest life with his wife Beatrice, occasionally has glimmers of people long forgotten: a woman with red hair, a missing child, and his estranged son. When Axl and Beatrice embark on a journey to visit their son, they run into a slew of strange traveling companions: a warrior on a solemn quest, a boy marked by evil, and the last remaining knight of King Arthur’s court. As memories are revealed and the secrets of the past are peeled back, Axl and Beatrice learn of a way to restore what was once forgotten--but at a startling cost.
I bought The Buried Giant because its author, Kazuo Ishiguro, also wrote one of my all-time favorite books, The Remains of the Day. As such, I wanted to wait for the perfect time to read The Buried Giant and slowly savor it. Initially, I was captivated by the simple beauty of the prose and filled with a sense of romance. But lurking under the quests and magic was a startlingly realistic look at the nature of war, hatred, and vengeance. These dark undertones slowly crept up on me and left me shaken and disturbed by the end of the book.
This doesn’t mean that The Buried Giant contains explicit material. It doesn’t. There are no graphic or gory depictions of violence, no sex, and no profanity--nothing that is typically labeled as “shocking.” I think what disturbed me, on a personal level, was the contrast between the high ideals of the characters and the horrific atrocities they were still capable of inflicting. It seemed very… realistic… for a fantasy world.
Title: Lady Chatterley’s Lover
Author: D. H. Lawrence
Genre: Classic, Fiction, Romance (?)
When Constance Chatterley’s husband Clifford returns from World War I paralyzed from the legs down, the two try to make the best of a bad situation. Clifford throws himself first into a literary career and later turns an industrial eye toward the mines that pepper his land. Although Connie does her best to support her husband, she falls into a depression. Something vital is missing from her life. She meets the gamekeeper, Oliver Mellors, a man who is reclusive and insolent, but who attracts Connie in a primitive way. They begin an affair, and through it, Connie finds out what it means to be truly alive.
From its title, Lady Chatterley’s Lover sounds like a melodrama. It’s not. This is a novel of ideas, and the story is the canvas upon which the ideas are stitched. What D. H. Lawrence really wants to do is posit a thesis as to the ailments of the modern world, namely, the disconnect mankind has toward their fellow man and the natural and the physical world, due to materialism, industrialization, and over-intellectualism. The solution, he posits, is a return to a more pagan time of “real men and real women,” which means sex.
I like my novels to have ideas in them; however, these ideas come at the expense of the story. You might think that Connie cheating on her wheelchair-bound husband would cause drama. It doesn’t. And the reason is simple: no one cares. No one cares about Clifford. No one cares about morals. No one cares about what society thinks. And as such, there are no consequences, only inconveniences. I’d say that this is a comment on the disconnect of people, but I’m not sure it is. I think the problem is that D. H. Lawrence became so enamored with his ideas he forgot about the characters.
After Thanksgiving, I did a double feature at AMC: Queen and Slim in the morning, and Knives Out almost immediately after. I’d never done a double feature, but I didn’t have much choice. Too many good movies come out in the holiday corridor and I don’t always have a spare Sunday to sneak out and see them.
Queen and Slim came on my radar, because I saw the trailer--online or in a theatre, I can’t remember. Queen and Slim is an R-rated romantic drama about a black couple who become accidental criminals and must flee the law. Right away, I liked the characters and the tense situation they found themselves in. The film fell off my radar for a while but came back when the reviews came in and some of my favorite movie pundits recommended the movie.
The movie doesn’t waste time. It begins with a woman (Jodie Turner-Smith) and a man (Daniel Kaluuya) going on an awkward first date. Their names aren’t given until the very end, so I’m going to go off the title and call the woman Queen and the man Slim. Queen is a defense lawyer whose client just received a death sentence. She is guarded and aloof. Slim is an amiable, warm, religious man. The date does not go well. As Slim tries to drop Queen off, he gets pulled over and aggressively searched by a racist cop. Queen tries to record the cop on her cell phone, but the cop shoots her in the leg. A heated fight breaks out between Slim and the cop. Slim grabs the cop’s fallen gun and shoots him, half in defense, half by accident. The cop dies. Before the title card officially drops, they are on the run.
My first reaction, fresh out of the theatre, was that Queen and Slim had a lot of elements that reminded me of a good fantasy movie (my favorite genre), even though it clearly wasn’t fantasy. Queen and Slim was an unexpected journey which ripped the characters out of their normal lives, brought them to interesting places and people, forged deep bonds, and forced them to contemplate deeper meanings of existence, destiny, and legacy. It was Romantic with a capital R. Not only did Queen and Slim fall in love, they expressed what love meant to them as individuals so beautifully and poetically, it made my heart twist.
(Warning: Although I try not to spoil anything in particular, I do mention details that take place halfway through the movie. If you are sensitive to these thing, you may not want to read.)
Destroyer is a prestige, independent picture from Annapurna Pictures that came out last December and which I recently found on Hulu. It is a modern day noir story set in L.A. that features a female detective, Erin Bell, played by Nicole Kidman. 17 years ago, Erin, a local sheriff deputy, worked undercover with FBI agent Chris (Sebastian Stan) to infiltrate drug-dealers-turned-armed robbers, led by Silas (Toby Kebbell). Something goes wrong, and Chris winds up dead. In the present day, Erin gets a message from Silas. He’s back, and she intends to find him. The two stories, past and present, are woven together via a series of flashbacks. There is also a subplot about Erin’s daughter, Shelby, starting to go down a bad path, most likely due to Erin’s horrific parental neglect.
Right off the bat, I can tell you that Destroyer suffers from too little story. The two-hour run-time is padded out with many of Erin’s intense, inscrutable stares. The present-day plot involves Erin revisiting old gang members, one by one, and asking them questions until they obligingly answer. There isn’t really a mystery to solve, just stakeouts and interrogations. The past plotline of Erin’s undercover assignment is muted of danger and suspense. Destroyer is a character-driven story where the main character is an inscrutable cipher. There is strong acting, especially from the supporting cast, and individual scenes are well-crafted. It has potential, but the weakness of the story holds it back.
I’m not an expert on the noir genre, but I was introduced to the concept in college. I understand the tradition of the alcoholic detective who uses his fists to get from point A to point B. Does it, however, work in modern day? And does it work when you gender-flip the detective? In Destroyer, it does not. Rather than view Erin as hard-boiled, I saw her as incompetent.
(Click to see full review. Potentially some spoilers. I do describe scenes, including scenes at the end, but I try not to give away twists and important details. If this bothers you, you may want to see the movie first.)
Title: The Witch’s Daughter
Author: Paula Brackston
Genre: Fiction, Historical Fiction, Fantasy?
In her lifetime, Elizabeth Hawksmith has gone by many names. She was Bess in 1628, when witch hunters claimed the life of her mother. She was Eliza in 1888, when Jack the Ripper roamed the streets of London. She was Elise in 1917, when World War I ripped the continent apart. But through all those lives, the common thread has always been Gideon Masters: the man who awakened her magical powers. Gideon is the reason she cannot die. Gideon is hunting her, slowly but relentlessly. Modern day Elizabeth has settled down in quiet Willow Cottage, befriending a local teenager named Tegan. But when Gideon looms once more, Elizabeth decides its time to put an end to the threat once and for all.
I bought The Witch’s Daughter at the same time I bought House of Echoes, while perusing the shelves of Barnes and Noble. I don’t often buy books from the Fiction section, preferring different genres, but I wanted to try some Historical Fiction and this offered a nice sampler. Elements of witchcraft and immortality offered me a fantasy hook. The first few pages were slow, but the lush description gave me an immersive experience. I decided to give the book a chance.
The Witch’s Daughter reads like four distinct stories, each set in a different time period: 1628, 1888, 1917, and present-day. Aside from Elizabeth and Gideon, none of the characters cross over. With each era, Paula Brackston begins the set-up anew: here is the setting, here is what Elizabeth is doing now, here are the supporting characters, where is Gideon? If you want a leisurely traverse through dramatic points in history, this structure works nicely. If you want plot and a quick pace, well, you’re out of luck.
Writer. Critic. Dreamer.